Publication in the British Journal of Aesthetics

It’s very exciting to share my most recent publication, “Park Aesthetics Between Wilderness Representations and Everyday Affordances”. It appeared in the British Journal of Aesthetics, published by Oxford University Press and one of the top 25% most highly rated journals in philosophy.

Here is the abstract:

Scholars criticize privileging aesthetics over social and ecological considerations in park design. I argue that the real culprit is not aesthetics, but aestheticism. Aestheticism treats aesthetic objects as if they were ontologically distinct from everyday objects. Aestheticism in park design—treating parks like artworks to be admired like paintings—dovetails into treating parks like representations of a romanticized wilderness: of pristine, untouched landscapes. I argue that aestheticism is a means of constructing an ontological distinction between the beholder and the beheld, for landscapes are not truly pristine if they are sullied by human presence. As an alternative, and while drawing on the works of John Dewey and Yuriko Saito, I argue for a continuity between everyday objects and aesthetic objects. I also draw attention to the question of whose every day is privileged and propose to introduce Wittgenstein’s concept of multi-aspectivity in the analysis of everyday affordances.

Collaboration with performers and designer

Currently exploring entanglements with non-human agencies (particularly pigeons!) together with performance artists Jonas Gillman and Seraina Dür, as well as with the designer and ecologist Flurina Gradin.

We are planning a guided tour of the central train station in Zurich during the Otherwise festival at Gessnerallee in Zurich, as well as during my upcoming workshop “The City and the Wild” (more infos coming up!)